Glitter & Doom
by Rachel Willis
Being unfamiliar with all but one Indigo Girls song, I was still impressed with how well their music is worked into the romantic musical, Glitter & Doom.
Director Tom Gustafson weaves the tunes into the budding summer romance of Doom (Alan Cammish), an aspiring musician, and Glitter (Alex Diaz), a hopeful circus performer. These two are first drawn to one another while Glitter is filming an audition tape for clown school in Paris.
When the two meet again, the meet cute duet is a bit jarring at first, until we learn that our duo can sing. However, the scene is stolen by the choreography, which is a fun, entertaining highlight in what would otherwise be an underwhelming moment of connection.
There honestly isn’t much to this story, though. The characters seem made to encourage each other’s ambitions. And though they’re presented as opposites, their winning duets don’t help paint them as people with diametrically opposed life perspectives.
Sure, it’s hard not to notice Doom’s outlook matches his name. This is most obvious when he interacts with his mother (Missi Pyle). Glitter, on the other hand, radiates positivity, except when dealing with his loving but unsupportive mother (Ming-Na Wen, who has her own lovely singing voice). In fact, the mother-son relationships are the most interesting parts of the film—not exactly what you want when the focus of your story is a romance.
But when your two leads have the kind of chemistry that Cammish and Diaz have, it’s hard not to be pulled into their tale. Their ups aren’t very high, nor their lows very low, but it’s hard not to root for them – both as a couple, and as they pursue their dreams.
Not much really sets this movie apart except for the music, and each scene seems to drive you toward the next musical number. While it’s not entirely unappealing, it is a bit underwhelming.
