Tag Archives: Kara Young

On a Mission from God

Is God Is

by Hope Madden

Writer/director Aleshea Harris may be pulling from folklore and road movies, revenge flicks and historical dramas, noir and arthouse, exploitation and even horror. But the result of those inspirations is one of the most boldly original films of 2025.

Is God Is follows twins Racine (Kara Young) and Anaia (Mallori Johnson) on a “mission from God.” It’s a funny line in a film about two misfits behind the wheel of a dubious vehicle, but the twins’ holy work has nothing to do with blues music. Their God is the one who created them, their mother (Vivica A. Fox), a woman they’d believed dead. She is not dead yet, but death is coming for her, and she has one request of her daughters. They need to kill their father (Sterling K. Brown).

Too often road trip films offer little more than a thinly connected series of hijinks and antics. Harris takes advantage of that sensibility, introducing us to various oddballs and dropping us into wild situations. The filmmaker shows great affection for so many types of movies, and the way she bends these tropes and styles to the will of this narrative is fresh, unpredictable, and fascinating.

Still, there is an inevitability to the story, and to the character arcs, that haunts the twins’ destiny. However wild, however bloody, however zany, there is a broken and beating heart at the center of the story.

Violence and destiny, family trauma, classism and misogyny, and rage—Is God Is finds poetry and honesty and blood in all of it.

Young and Johnson are a remarkable yin and yang, and the ensemble impresses at every turn. Brown is characteristically undeniable, an emotional shapeshifter, both seductive and terrifying. Janelle Monáe and Erika Alexander also impress in smaller roles.

But the star of Is God Is has to be the storyteller herself. Harris’s command of the audience and of cinema deliver the summer’s most daring and satisfying adventure.

It Was Capitalism All Along!

Blow Up My Life

by Christie Robb

Blow Up My Life is a paint-by-numbers thriller/comedy telling the story of a Adderall-snorting computer programmer, Jason (Jason Selvig), who commits career suicide by live-streaming his alcohol and drug-fueled celebration after he wins an award for the new app he has created for his pharmaceutical company employers.

The app dispenses customized doses of medicine through a vape. Its goal is to step people down from an opiod addiction.

When Jason uncovers evidence that the company’s latest software update has altered the app, which is now causing consumers to get hooked on the vape (ensuring skyrocketing profits for the company), he decides to do some undercover work to expose the truth.

A first feature written and directed by Ryan Dickie and Abigail Horton, the movie is technically proficient and a sometimes laugh-out-loud funny take on the thriller genre. Filmed on a tight budget over 18 days during October of 2020 with a relatively small cast, the film manages to do a lot with few resources. Under those circumstances, the fact that it manages to get most of the numbers colored in is pretty remarkable.

However, the main characters are underdeveloped. So, when the screws are tightened and Jason finds himself running for his life, it’s difficult to summon the energy to truly care about his welfare. His cousin, the Black hacktivist “girl-in-the chair” Charlie (Kara Young), is also a lightly sketched character, but Young’s charisma helps the audience connect with her.

As many of these movies do, this one starts in the middle in one of those “So, I bet you’re wondering how I ended up here?” situations. Strangely though, it kind of ends in the middle as well. There’s no resolution. No payoff.

The screen just goes black, and there’s no need to wait around for an end credits scene. There isn’t one. It’s up to you to complete the final bits of the canvas in your imagination.