Tag Archives: Janelle Monáe

On a Mission from God

Is God Is

by Hope Madden

Writer/director Aleshea Harris may be pulling from folklore and road movies, revenge flicks and historical dramas, noir and arthouse, exploitation and even horror. But the result of those inspirations is one of the most boldly original films of 2025.

Is God Is follows twins Racine (Kara Young) and Anaia (Mallori Johnson) on a “mission from God.” It’s a funny line in a film about two misfits behind the wheel of a dubious vehicle, but the twins’ holy work has nothing to do with blues music. Their God is the one who created them, their mother (Vivica A. Fox), a woman they’d believed dead. She is not dead yet, but death is coming for her, and she has one request of her daughters. They need to kill their father (Sterling K. Brown).

Too often road trip films offer little more than a thinly connected series of hijinks and antics. Harris takes advantage of that sensibility, introducing us to various oddballs and dropping us into wild situations. The filmmaker shows great affection for so many types of movies, and the way she bends these tropes and styles to the will of this narrative is fresh, unpredictable, and fascinating.

Still, there is an inevitability to the story, and to the character arcs, that haunts the twins’ destiny. However wild, however bloody, however zany, there is a broken and beating heart at the center of the story.

Violence and destiny, family trauma, classism and misogyny, and rage—Is God Is finds poetry and honesty and blood in all of it.

Young and Johnson are a remarkable yin and yang, and the ensemble impresses at every turn. Brown is characteristically undeniable, an emotional shapeshifter, both seductive and terrifying. Janelle Monáe and Erika Alexander also impress in smaller roles.

But the star of Is God Is has to be the storyteller herself. Harris’s command of the audience and of cinema deliver the summer’s most daring and satisfying adventure.