Tag Archives: George Clooney

Art for History’s Sake

 

by George Wolf

 

There are many stories in war, some better known than others. With The Monuments Men, George Clooney shines a bright Hollywood spotlight on one of the lesser known aspects of World War II, and manages to make it an informative and entertaining affair.

True, the story of how the Nazis stole countless art treasures in Europe was outlined by the excellent 2006 documentary The Rape of Europa, and 42 years before that, Burt Lancaster tried to keep precious artifacts from reaching Germany in The Train. But the tale of this heroic group is fresh territory, and in adapting the source book, director Clooney and his usual co-writer Grant Heslov again show fine instincts for making a historical drama resonate.

Clooney also stars as the leader of the titular platoon, an older group of art experts called into military service and tasked with rescuing the stolen works and when possible, returning them to the rightful owners. He’s surrounded by a winning cast with plenty of star power, including Matt Damon, John Goodman, Bill Murray, and Cate Blanchett as a suspicious Frenchwoman who becomes very helpful to the cause.

Factual liberties are taken, of course, but give Clooney and Heslov credit for keeping a good heart beating beneath the big-scale production. The heavy toll of war, the enduring power of art, and the souls at the center of each are given due respect, even as the film becomes a nail-biting chase to rescue a priceless Michelangelo before it falls into wrong hands.

As a director, Clooney is a bit more obvious this time out, and there are segments when things becomes a tad too lighthearted, such as reminders of some of the cast’s previous films which may or may not have been intentional.  In fact, the struggle to find a suitable tone is the film’s main weakness, as the cinematic heights Clooney reached in Good Night and Good Luck or The Ides of March are sacrificed to give the film more mass appeal.

But ultimately, The Monuments Men is a tale that deserves a wide audience, and Clooney may prove just the right artist to get that job done.

 

 

Verdict-3-0-Stars

 

 

http://www.youtube.com/watch?v=CreneTs7sGs

SciFi of Significance

by Hope Madden

The wondrous galactic epic Gravity delivers an unmatched cinematic achievement. Co-writer/director Alfonso Cuarón sets you adrift in space, and for 90 minutes he leaves you breathless at the glory of the universe, and wrung out at the drama of attempted survival.

His work will make you remember why you go to movies – to the dark auditorium with the big, big screen. It will make you remember a time when a trip to the cinema utterly dwarfed the experience of movie night at home.

To create this magnificent beast, Cuarón created tools and technology that simply did not exist prior to this film. He created what he needed to authentically craft the sense of zero gravity, utter silence, cosmic lighting – all in 3D, no less.

When it comes to the vehicle for all this gadgetry, Cuarón, along with co-writer and son Jonás, seems to understand that simplicity is his friend. He refuses to complicate the tale, and the paired down narrative allows the primal terror and exhilaration of the space adventure to take hold.

Cuarón’s camera takes us to the outer reaches, and then crawls inside the space suit, allowing us to hurl unmoored through space along with Sandra Bullock’s novice astronaut. She is a medical researcher on her first space voyage, and she is in over her head, unprepared for all that she will experience. Just like us.

A playful George Clooney tags along for camaraderie, helping Cuarón create a joyous calm before the crisis. They’re astronauts. Look how cool that is! No wonder they risk almost unimaginable peril to do it.

Though the narrative makes a misstep here and there with emotional trickery and melodrama, what errors Cuarón makes with words he more than compensates for with the overwhelming visual experience.

The action will wring you out as you curse the clumsy suits, rail against the unpredictability of gravity, strain with heroes desperate to rush in a silent calm that will not allow it. Gravity doesn’t just deliver a magnificent view of space; it also offers perhaps the most breathlessly exciting action adventure of the year.

Visually glorious does not begin to describe Cuarón’s film. More than that, Gravity is realistic – jaw droppingly so. And this is why people began making movies in the first place – to transport you someplace magical, someplace otherworldly. Few if any have succeeded in this quest quite as Cuarón has with Gravity.

 

Verdict-4-5-Stars