Tag Archives: Demián Rugna

Shots in the Dark

When Evil Lurks

by Hope Madden

Just when you thought no one could do anything fresh with a possession movie, Terrified filmmaker Demián Rugna surprises you.

Well, fresh may not be the word. Indeed, you can almost smell this putrid tale. I mean that in the best way.

Pedro (Ezequiel Rodriguez) and his brother Jimmy (Demián Salomón) hear shots. It’s late, and the sound is far – somewhere between their land and their neighbor Ruiz’s (Luis Ziembrowski) farm. The way Rugna reveals what the brothers find, where it leads them and what it unleashes is a tale so masterfully told you almost miss the underlying character study and the blistering performance that brings it to life.

When Evil Lurks does sometimes feel familiar, its road trip to hell detouring through The Crazies, among others. But Rugna’s take on all the familiar elements feels new, in that you cannot and would not want to predict where he’s headed.

As choices are made and usually regretted, Rugna propels his heroes onward, each step, each choice, each misstep adding pressure and confusion, unveiling the character beneath even as bits of the brothers’ history organically comes to light. This is a magnificently written piece of horror, and Rugna’s expansive direction gives it an otherworldly yet dirty, earthy presence.

The entire cast is wonderful, each one cracked and poisoned just a bit. But Rodriguez sears through the celluloid with a performance so raw, frustrating and full of rage it makes you uncomfortable.

His counterpoint, Salomón’s younger, gentler brother Jimmy, infects the film with enough tenderness to make the wounds hurt. And in creating injury, Rugna is fearless. No one is safe, not even the audience.

The inexplicable ugliness – this particularly foul presence of evil – is handled with enough distance, enough elegance to make the film almost beautiful, regardless of the truly awful nature of the footage. And Rugna never lets up. Each passing minute is more difficult than the last, to the very last, which is an absolute knife to the heart.

In case Rugna’s 2017 treasure Terrified didn’t solidify his place among the greats working in the genre today, When Evil Lurks demands that recognition.

Ave Satán

Satanic Hispanics

by Hope Madden

For genre fans, a well-made anthology can be a delight. Sometimes, like Michael Dougherty’s classic Trick ‘r Treat, one filmmaker pieces together a set of related short works. More often, though, a framing story connects the tales of many different filmmakers. The Mortuary Collection is an example of a recent gem.

Satanic Hispanics falls into the second category. It’s a collection of shorts made by Latinx filmmakers. Like, really good filmmakers. Eduardo Sánchez instigated the entire found footage phenomenon with his genre classic The Blair Witch Project. Gigi Saul Guerrero delivered geriatric fun in her 2021 film Bingo Hell. Demián Rugna’s Terrified is a haunting and effective flick, and Alejandro Brugués’s Juan of the Dead is the most underseen and brilliant film of the lot.

There’s good reason to be excited about the potential of the shorts assembled for Satanic Hispanics. And, on the whole, these filmmakers deliver on that promise.

Mike Mendez (Gravedancers) starts us out with the framing story, “The Traveler.” It introduces the titular character (Efren Ramirez, Napoleon Dynamite’s Pedro), the last man standing at a crime scene where 27 are dead. As he’s interrogated by two well-meaning detectives, he shares tales meant to persuade them that a great evil is coming.

Those stories range from Rugna’s creepy and trippy “También Lo Vi” to Sánchez’s comedic “El Vampiro” to Guerrero’s creature feature, “Nahuales”, to the Brugués insanity, “Hammer of Zanzibar.” Each has its charms, and every genre fan will find at least one or two films to take their fancy.

Rugna’s mindbender about light refraction, algorithms and inadvertently opening a portal to something sinister is the standout. Brugués delivers a stylized comedic adventure – part Tarantino, part Evil Dead. And if you can get past the troubling fact that a jilted boyfriend beats his ex-girlfriend with a giant penis for laughs, you might like it. 

But the collection absolutely boasts some inspired talent having a blast, and when is that ever a bad thing to witness?