Tag Archives: Arian MOayed

The Great Pretender

Other Mommy

by Hope Madden

A great deal goes unspoken in Other Mommy, a horror film informed by the complex idea that it’s what breaks your heart that makes you human.

Jessica Chastain is Aurora Martin, mommy to 7-year-old Bela (Arabella Olivia Clark). Chastain is also Other Mommy, a mommy-shaped entity who wants Bela’s permission to become human.

If a lot of this sounds familiar—a child, unhappiness in the house, an imaginary friend who’s less imaginary than demonic—credit director Rob Savage and writers Nathan Elston and Josh Malerman for complicating the tale with fairly realistic (if unreasonably wealthy) human damage.

And, of course, Chastain for being game for some serious freakiness.

Jay Duplass keeps things grounded in tenderness as Daddo, the one reminder that humans can be wonderful. A strong supporting cast includes Karen Allen, Sean Kaufman, and Arian Moayed, but Savage’s investment in Clark to keep us engrossed pays off.

She reminds you of a very young Mckenna Grace. Her soulful attention and authentic performance create real tension. The youngster carries a lot of this film and manages beautifully.

Other Mommy spins a cautionary tale about tricksters, letting the wrong person into your heart, people who aren’t as they seem, and the generational damage done by less-than-ideal parents.

Like a lot of imaginary friend horror films, Other Mommy writes itself into a bind it can’t entirely escape. But the cast mines the script for a backstory they wear in their gestures and behaviors, and Savage throws enough random insanity at you that things never feel predictable.

It’s not an uncontested win, but Other Mommy delivers creepiness that picks a particular scab.  

Truth Hurts

You Hurt My Feelings

by Hope Madden

One of filmmaker Nicole Holofcener’s great talents is to acknowledge within a film that there is no reason to feel for her characters, and then making you feel for the characters. She’s a master of the relatable if tedious angst of the privileged. In her hands, these primarily insignificant tensions are humanized and often hilarious.

Such is the case with her latest, You Hurt My Feelings, a story about a well-off couple, truly compatible and in love, who fall on hard times when one overhears the other’s honest opinion.

Julia Louis-Dreyfus, who was so magnificently flawed and empathetic in Holofcener’s 2013 film Enough Said, stars as Beth, a novelist. Well, she wants to be a novelist, but her memoir only did OK and now her agent doesn’t seem that thrilled with her first ever novel. Maybe it sucks?

No, supportive-to-a-fault husband and psychologist Don (Tobias Menzies) assures her. But secretly, honestly, maybe that’s not how he feels.

And that’s Holofcener’s next great talent – casting. Louis-Dreyfus is characteristically flawless. Her humanity, comic timing, and self-deprecating yet narcissistic humor make her every character endlessly watchable. Menzies–in many ways the emotional anchor for the film–equals her. Both face the wearying revelation that truth really does hurt, right as their midlife insecurities are at their highest.

Arian Moayed and the always amazing Michaela Watkins play a mirror couple, Beth’s sister – a discontented interior designer for the very wealthy – and her insecure if lovable actor husband. They are both tremendously endearing and funny. Capping the ensemble is Owen Teague (To Leslie), Beth and Don’s 23-year-old only son who’s coming to terms with the fact that he was raised to believe he was more special than he really is. Also, he’s a writer.

Hilarious cameos from Amber Tamblyn and David Cross as an angry couple in therapy help to clarify Holofcener’s themes and push the comedy value higher. But it’s with the core couples that the filmmaker delivers her finest moments, creating a lived-in world, a true microcosm that pokes fun at our insecurities and the little white lies that keep us happy.