So That Happened….Santa Happens!

 

By Hope Madden

 

Christmas approaches, and George proves once again that he makes a fine Santa.

He played the part first at 15. A pubescent redhead weighing in at about a buck and a half – very authentic. Well played, Cambridge, Ohio Sears.

He donned the beard and boots again more recently. Perhaps you saw a bunch of Santas at various Columbus intersections dancing around with signs urging you to “Honk for Santa and Sunny 95!” George was one of those, and he had a lot of fun, even though he did get a one-finger Christmas salute from a guy who apparently saw right through a moonwalking Santa and his war on traditional holiday dance.

In between these stints, I would sometimes lend George out over the phone for nieces, nephews and friends’ kids. He has that nice, full baritone, does a great ho ho ho, and has literally no choice as I promise his services without checking.

He retired a few years back. A couple of 4-year-olds wore him down. My niece Ruby and our little friend Eva were to receive calls from ”Santa” on Christmas Eve. First he called Eva, who’d recently turned 4. She answered the phone with a shy, “Hello.”

“Hello. Is this Eva? This is Santa.”

Thud.

Eva dropped the phone and hid under a nearby table.

I should point out that George has been known to frighten children to tears. Usually the children sit in their itty bitty  jerseys or cheerleading onesies and George startles them from across a restaurant with a burst of fan passion. George is loud.

The children sometimes cry.

Of course, being a Browns fan, sometimes George cries, too.

Eva’s mom Heather picked up the phone, coaxing some conversation from her wee one, still safely tucked beneath the kitchen table.

“Eva, Santa says hi.”

“Hi.”

“Santa, Eva says hi.”

And so on.

George was a bit wearied by the time he got off the phone, but he needed to gumption up because Ruby was waiting.

“Ruby? This is Santa.”

“Oh, hello Santa.”

“Well hello, Ruby!”

“Santa, what is your favorite color?”

“Well…”

“What snack do you like best? How do you see when we’re good and when we’re bad? What do you dream about?”

At that point, Santa was dreaming of a gracious way out, but Ruby was having none of it.

“Are you sometimes invisible? Do you like to dance?”

How did she know about the moonwalk?

George has been on Santa vacation since then, but I was just thinking of a fun new plan, what with that fetching suit and all.

Skype!

So That Happened…Meet the Chirpers!

 

By Hope Madden

 

I edit college textbooks for a living, with all the associated hoopla, madness and zaniness you might expect to go along with that job. Exactly that much zaniness. My wing of the building is routinely referred to by our sales reps as The Mausoleum.

Yes, we’re quiet, we’re boring, we’re nerdy. We’re also under attack, forever harassed by the encroachment of the sales force. When I first started working here, our sales group’s wing ended about ten feet to the left of my office door.

But they constantly hire more sales people, and so began the cubical creep.

First, new cubicles lined the short wall across from my office.

Then they mushroomed in what was once the free space just beyond that wall.

Now they sit butt-up against the editorial assistants’ cubes.

If you look out my door, sales cubes are to my left, directly across from me, and to my right. I am surrounded.

With the sales force comes a different vibe than the one you find in editorial. There are a lot of happy hours, a lot of games, decorations and confetti and sometimes costumes. But mainly, with those cubicles comes sales people.

Like that one pod of cubes very near my door, and the new neighbors who work there: a revolving set of eager, young, shiny, chatty women. Very chatty. Chirpy, even.

And try as I might to ignore their constant chirping, sometimes it seeps through.

Like yesterday:

Chirper #1: Selena Gomez and the Bieb are back together

Chirper #2: Nuh-uh

Chirper #1: How do you spell ‘combination’

Chirper #2: C-O-M-B

Chirper #1: Is it C-O-M-B-O?

Chirper #2: No.

 

Aaah, Chripers. The adventure begins.

 

For Your Queue: Bayous and Ozarks

 

By Hope and George

 

The award-bedecked indie masterpiece Beasts of the Southern Wild is finally available on DVD today. Get it. Do it right now.

The brilliant tale spins quite a yarn, following 6-year-old Hushpuppy through tumultuous times in an area of the Louisiana Delta called The Bathtub. The wee heroine, played by Quvenzhane Wallis (a force of nature to match the hurricane that’s coming) puzzles through the upsetting events of her father’s failing health and the suddenly ferocious weather with the poetic logic of a child – gloriously nonsensical yet frighteningly reasonable. Wallis joins her director Benh Zeitlin in astonishing debuts, as does the equally fierce and amazing Dwight Henry, playing Hushpuppy’s father Wink. Full of folklore and enchantment, their collaboration amounts to one wonderfully original vision of freedom, self-determination and loss.

For another, more chilling, tale of subculture survival, try Winter’s Bone. In her breakout role, Jennifer Lawrence is riveting as Ree, a young Ozark Mountain girl in danger of crossing the wrong people as she searches for her father and uncovers some dark family secrets. John Hawkes leads a stupendous supporting cast and, along with the unflinching writing and gritty direction of Debra Granik, joins Lawerence to make Winter’s Bone a must.

For Your Queue: Two from Hillcoat

 

By Hope Madden

 

Out on DVD/BluRay/OnDemand/assorted other whatnot this week is the period shoot-em-up Lawless. It’s prohibition time, and the bootlegging Bondurant boys turn down the pricy “protection” offered by big city law. A showdown between official muscle and hardened backwoodsmen is inevitable.

Director John Hillcoat’s assembled an impressive cast, including the great Tom Hardy and Jessica Chastain, whose skill and onscreen chemistry command attention. It’s worth a look.

Even better, dig back in the catalogue for Hillcoat’s first film, The Proposition. A magnificent, brutal, fascinating Outback Western, it’s an underseen gem any fan of the genre is guaranteed to love.

For Your Queue: Laughing and Wincing

 

By Hope and George

 

An underseen film being released to DVD/BluRay today is the newest flick from Todd Solondz.

In Dark Horse, misanthrope/filmmaker Solondz turns his pitiless gaze toward the entitled underachiever. Abe (a perfect Jordan Gelber), waddling through his thirties, drives a hummer, lives at home, slacks off at his father’s office, collects action figures, and believes himself to be put-upon.

A game supporting cast, including Mia Farrow and Christopher Walken as coddling parents, keeps things interesting. As usual, Solondz’s humor comes from a dark place, although Dark Horse is hardly his blackest comedy (that would be Happiness, the one about the pedophile). Nor is it his best (see also: Happiness). But a middling effort from Solondz is still too brilliantly awful to go unseen.

If you’re up for a double scoop of dark laughs, consider Carnage, Roman Polanksi’s adaptation of the hit play from Yasmina Reza (who also wrote the script).

The film is set almost entirely in one room, where two sets of parents are meeting to cordially discuss a recent altercation at school involving their respective sons.

Cordial doesn’t stand a chance.

In short order, the meeting spirals into chaos amid brilliant slices of coal black comedy and stellar performances from Jodie Foster, John C. Reilly, Kate Wislet and Christoph Waltz.

Uncomfortable? Oh, yes. But its also intelligent and hilarious, and worth a look if you missed it in theaters.

So that happened…

God Bless America

Voting lines in our precinct were longer than we’d expected. We could have voted early.  I think we might have done it, too, if someone would have been motivated enough to remind us 634 times, but 633? Get bent!

Anyway, we like to get up on election day, put on our best sweatpants and bad-hair-day hats,  walk the block to our local elementary school and queue up to perform our civic duty.

As do a lot of our neighbors. Lots and lots. And it would seem that the vast majority of Grandviewans (Grandviewers? SpongeView GrandPants?) regardless of political affiliation have a last name in the L-Z bracket. As we waited and sweated, and read the artwork adorning the hallway to learn which second graders believed themselves to be the class’s best drawers and/or cutest, we heard the constant announcement: A-K? A-K? If your name starts with letters A through K, you can go ahead in. A-K?

I began to really hate A-K, not to mention question the logic of this line jumping.

Also, I was a bit distracted by the person in line whose phone kept going off with the “cock-a-doodle-doo” ringtone. So, if that was you, I apologize for yelling “Okay, who brought the rooster?”

To be honest, I think it brought about PTSD flashbacks from the concession stand line at the Obama/Springsteen/Jay-Z rally the day before. Because George and I have built our home on the corner of Liberal Politics and E Street, naturally we attended. How could we not?

Doors opened at noon, with Obama allegedly taking the stage at 4pm, so we and 16,000 other left-minded Ohioans queued up at 9am. By the time we got inside, we’d been standing since breakfast, knew we wouldn’t be leaving until dinnertime, so we all – all 16K of us – started looking for concessions.

16 thousand people, all of whom had been in line for hours and were now starving, and Nationwide Arena only opened two food kiosks? With a total of 6 (three apiece) workers? I’ll tell you right now, had I been one of those six, I’d have taken my own life.

C’mon, it’s Bruce!  Baby, we were born to eat!

It’s Jay-Z! I got 99 problems, and right now number one is not having direct access to super nachos!

It’s Obama! I thought free condiments were now part of my health care!

I waited 90 minutes. At about minute 30, a large young woman appeared ahead of me. This simply doesn’t happen in a line. So I said, “Ma’am, don’t do this. We’ve been here half an hour already.”

She returned to her rightful spot behind me and began loudly calming herself. “I’m just going to settle down, I’m going to let it go, I’m not going to start anything. But I am going to say one thing, and that one thing is, pay attention.”

She turned to me.

“Pay attention. That is the rule for today, for all you fools. Pay attention.”

It seemed needless to point out that, had I not been paying attention, I probably wouldn’t have noticed her ditching the line. But I said it anyway.

Lines breed testiness. Just ask those guys in my same concession stand line that came to blows.

But then we all remembered that great Tesla song, “Lines, lines, everywhere a line…”

Wait, did I just use the words “great,” “Tesla” and “song” in a row?

Whatevs.  The point is, wimpy hair metal is offensive.

After 90 minutes, I gave up. I could hear speakers speaking and figured it wasn’t worth missing it all for a super nacho and a couple of naked hot dogs (no way was I trying to get to that condiment stand).

I hope someone checked that rooster’s ID…

For Your Queue

When is a time travel movie not really about time travel? When it’s Safety Not Guaranteed, a love letter to the geeks, nerds and outcasts who were nice and all, but just a little too weird to hang with the cool kids.

Aubrey Plaza (April on TV’s Parks and Recreation) gets a breakout film role as Darius, a bored intern for a Seattle magazine. When staff reporter Jeff (Jake M. Johnson from TV’s New Girl) sees a classified ad seeking a partner in time travel, he takes Darius and fellow intern Arnau (Karan Soni) on a journey to find the ad’s author and get his story.

The movie is based on a real classified ad, placed as a joke in 1997 (by a man who appears briefly in the film). It works best once Darius gains the trust of the curious Kenneth (Mark Duplass), who’s planning a trip back to 2001, and not for the reason you think.

Duplass, a veteran “mumblecore” filmmaker/actor, gives Kenneth a depth that resonates, and Plaza delivers a star-making performance that takes Darius from condescending hipster to caring human being with nary a false note. Their scenes together are never less than touching.

Director Colin Trevorrow and writer Derek Connolly both make stellar debuts. Their first feature is more about seizing the possibilities of the present than about erasing the mistakes of the past, and they infuse it with heart, soul and wit.  (i.e. “She needs to go back in time and kill whoever gave her that haircut.”)

Don’t expect dazzling time-travel wizardry, or you’ll be disappointed. Or maybe you won’t, as the charming Safety Not Guaranteed is bound to win you over.

If you enjoy Safety Not Guaranteed, have a look at 2007’s Spanish import Timecrimes. Like Safety, this film’s most appealing element is its deceptively un-SciFi setting. The offbeat time travel mind bender never actually leaves a single neighborhood, taking a borderline comic approach – think Groundhog Day – to pique tension and engage viewers so that, when the film turns dark, the human aspect of the story goes unforgotten.

For Your Queue

Hooray – Moonrise Kingdom is now available on DVD and BluRay and other assorted whatnot, allowing you to watch it in your own home. So, by all means, do that!

In the dreamlike world of Wes Anderson’s seventh feature, simple scenes are woven together into a funny, rich love story that captivates from start to finish.

Admittedly, director/co-writer Anderson can be an acquired taste. Deliberately quirky and full of droll humor, his films have fluctuated from deep and meaningful (Rushmore, The Royal Tenenbaums) to groundless and uneven (The Darjeeling Limited). Moonrise Kingdom is perhaps his most complete to date.

Set in an island town off the New England coast in 1965, it follows youngsters Sam and Suzy, kindred spirits who look to each other for comfort as they navigate the minefield that is puberty.

The script is an endearing and never-condescending tribute to adolescence, not only a celebration of it but also a subtle yearning for innocence lost. The direction, production design, cinematography, cast, music—you name it—are all impeccable. Together, they render Moonrise Kingdom downright poetic, and easily one of the best films of the year.

Make it a double feature with an underseen, early Anderson gem, Bottle Rocket. Anderson’s first film as director, working from a script he co-wrote with star Owen Wilson, is an endearing, off kilter heist comedy that ranks among the best films Owen Wilson, his brother Luke, or even Anderson has ever made.

So that happened…

Snap, Crackle, Pop

With the help of my determined husband George and an orthotic boot, I once got to meet Duran Duran. If you’ve met me, you no doubt know that. It’s not like I keep it a secret. And if I hadn’t been a gimp, it couldn’t have happened.

My routinely broken bones get me into stuff, and they get me out of stuff. Like manual labor. So I hate to look a gift horse in the mouth, but seriously, I should not break this easily. I’ve had eight confirmed fractures in my adult life. Seeing as I am not a stunt driver, this strikes me as excessive.

Given that my tendency to snap bone goes back to grade school, it doesn’t seem like an age related bone loss issue. I take in lots of calcium and vitamin D, I exercise, blah blah blah. I am clumsy, I’ll give you that, but still, 8 is a high number.

So I discovered via paranoid web sleuthing that cola leeches minerals from your bones.  But the expert says an average human intake of about 3 colas a month should not put you at risk.

The average human takes in 3 servings of cola in a month? One every ten days? That’s impossible. That’s like saying the average height for a woman is 5’4”.

It just cannot be, because that would make me some kind of freak.

Let me walk you through my habit.

I pound two or three 16-oz bottles of Diet Pepsi each morning. Then I eat at Chipotle, loading up on at least four refills of my medium beverage. Yes, I could splurge on a large, but refills cost nothing and I sit close to the soda fountain for convenience. Saves me like a dime, although it does nothing at all for my dignity.

How much I drink after lunch depends on any number of things. Am I eating dinner in? If yes, then maybe another two cans before bed. Am I eating out? If yes, then at least another 84 ounces (4 x 16 ounce drink).

If I eat out and go see a movie – I’m a film critic, so the likelihood here is higher than average – I could conceivably consume in excess of 200 ozs in an evening.

Which makes me a pig, and likely an addict. Let me articulate. Recently, the pop machine on my floor ran out of Diet Pepsi (can’t imagine who went through it all). I made the short trek to the deli on the first floor. I was horrified to see their vending machines unplugged and pushed to the other side of the room. Bob’s Deli was retiling its floor. It was like a bad dream.

I ran back up to the fourth floor, slowly, lumberingly, with legs of caffeine-depleted lead. I limped in a rage back to my office, then remember something important.

My son Riley, who spent the summer doing odd jobs no one else at my office wanted, used to roam the building looking for some kind of adventure. What he found were vending machines, including one mystical, magical pop machine that dispensed beverages for a quarter. A quarter!

I called him. In school. It’s a disease, people.

He told me the magic pop machine is on the 9th floor.

I go. I wander the halls of Floor 9 looking for the right business.

And then I spy it, glowing like a refreshment beacon. Relief is mine – or is it? Hold the phone.

They’re out of diet pop!

 Moderation being an alleged virtue – and sugar substitutes being an alleged toxin – I understand that I need to gain control over my problem. I can’t just have bones snapping and popping every time I fall down some stairs because, you know what? I’m uncoordinated. It’s going to happen. So I’m weaning.

Nothing in the morning. Nothing at work. Nothing in the car. Nothing at home. Nothing at the movies. 

All told, I’m down to 4 servings a day.

God damn it, I’m sleepy.

 

For Your Queue

If , unlike us, you have room in your Netflix queue, here’s the first of some weekly suggestions for worthwhile choices you may have missed.

Last week, a fascinating but underseen indy flick about cult leaders, time travel, under cover reporting and faith was released to DVD. Sound of My Voice takes those well-worn paths of melodrama and exploitation, and bends them to its will, creating a hushed and fascinating story like little else you’ve seen.

Relying on the inventive storytelling of director Zal Batmanglij and the mesmerizing performance of his lead and co-writer, Brit Marling, the movie quietly grabs your interest and never lets go. Marling is a talent to watch, a fact established in this, only her second film.

Cleverly written to generate tensions and keep you guessing, Voice challenges your imagination as it solidifies Marling’s standing as an artist with a promising future.

For more of Marling, you may also want to check out Another Earth, her engaging sci-fi flick from last year. Also working with a screenplay she co-wrote, Marling captivates as a young woman whose life is altered in various ways by the discovery of a “duplicate” Earth.

The production values are stripped down, but the thought- provoking script and Marling’s performance make it worth a look.

Hope Madden and George Wolf … get it?