Tag Archives: Bella Ramsey

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Summertime Blues

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Sunny Dancer

by Rachel Willis

Ivy is pissed off. It might be hard to understand why at first. She’s been in remission from cancer for 10 months, so one might think she would be happy.

However, writer/director George Jaques isn’t interested in how you think a person should feel after surviving cancer. With Sunny Dancer, Jaques gives us something nuanced yet familiar as Ivy (Bella Ramsey) finds her way with a group of teens at summer camp.

Ivy’s disconnection from life is the reason why her parents (James Norton and Jessica Gunning, making the most of their limited screen time) want her to spend four weeks at “chemo camp.” And though she is reluctant to participate and surly with the other campers, Ivy soon realizes camp was exactly what she needed.

Despite the hardship Ivy and her fellow campers have faced, they’re still teenagers at heart. Anyone who has felt rebellious or snuck out at night or just spent time with people who know you like no one else can relate to Ivy’s story.

The highlight of the film is the cast of kids who surround Ivy. Each one, from Ivy’s first love, Jake (Daniel Quinn Toye), to her horny best friend, Ella (Ruby Stokes), are fun to follow as they run wild and bring Ivy back to life.

The problem with any film that introduces a large cast of characters is finding ways to flesh out each one. Though the kids are great, not all of them get much depth. And the writing doesn’t bring each character to life as much as it could, but this is Ivy’s story. The two people she most gravitates to are the ones who most come to life.

As Ivy, Ramsey is good, but Stokes steals the show. She dominates each scene. Ramsey is a fine choice to carry the film, but the best scenes feature Ella.

With such a strong, naturalistic film, the movie’s emotional climax feels manipulative. It’s hard not to be disappointed by it when the rest of the film is so lovely.

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Nobody Here but Us Chickens

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Chicken Run: Dawn of the Nugget

by Hope Madden

It has been 23 years since Aardman animation briefly abandoned its cheese-loving besties Wallace & Gromit in favor of a prison break caper. Chicken Run saw one plucky hen named Ginger ­– inspired by Rocky the Rooster’s tall tales of being able to fly – organize a leave-no-chicken-behind escape mission from Tweedy’s Farm.

Chick Run: Dawn of the Nugget finds Ginger (voiced this go-round by Thandiwe Newton) and Rocky (now Zachary Levi) some time later (though certainly not 23 years later) living in chicken paradise with their friends and their brand-new chick, Molly (Bella Ramsey). But motherhood has turned Ginger from a courageous leader to a, well, chicken. Protective and worried about little Molly, Ginger encourages the flock to hide when they see trucks hauling chickens to a high-tech factory that will turn them into nuggets.

Ginger’s attitude changes once Molly’s in jeopardy, and the whole flock rallies to save the strong-willed little chick and the day.

It may be a lot to expect viewers to recognize some of the callbacks to the original, in that the target audience for this film was born about 15 years after Chicken Run was released. Adults may notice some absent voices but are more likely to sense the absence of Nick Park.

Park co-wrote, directed, and animated most of the early Ardman masterpieces. Like the Muppets without Jim Henson, Aardman just isn’t Aardman without Park. Sam Fell directs a script by Karey Kirkpatrick, John O’Farrell (both of whom worked on the original) and Rachel Tunnard. The visuals are pretty and nearly as engaging as you expect from Ardman, but everything – including the story, dialog and gags – feels a bit standard, a bit bland.

Newton and Levi offer relatively dull performances. On the other hand, Ramsey’s a delight and the vocal ensemble – Imelda Staunton, David Gradley, Romesh Ranganathan, Daniel Mays, Jane Horrocks, Josie Sedgwick-Davies and Miranda Richardson – elevate and energize the otherwise vanilla script.

There’s nothing terribly wrong about Chicken Run: Dawn of the Nugget. But when your animation studio sets the bar so high, “nothing terribly wrong” is quite a disappointment.