Beautiful Losers for Your Queue

June 3, 2014 maddwolf Leave a comment

Available today on DVD and Blu-Ray is the utterly unseen but stingingly lovely portrait of American poverty, The Motel Life. Boasting beautiful performances from Emile Hirsch, Dakota Fanning and, in particular, Stephen Dorff, this story of brothers, hope, and the bad choices that kick survival in the teeth is worth checking out.

Motel Life, at times, feels reminiscent of Gus Van Zant’s 1989 tale of rambling cons and druggies Drugstore Cowboy. Spun from the haunted existence on the fringes, with dusty small towns and cheap motels, populated by broken people making poor decisions, Drugstore Cowboy is another breathtaking image of the fight to change your direction.

Outtakes

Countdown: The Best Sports Commentators on Film

June 2, 2014 maddwolf Leave a comment

Oh glorious days! When was the last time we had a whole weekend of gorgeous weather? After eight straight months of snow, it was just awesome to make it through May without any icy accumulation – unless you count those hail storms from a couple weeks back. But that’s all over, and we had a whole weekend of sun for baseball (Clippers double header, Indians sweep!). Hell, even the Memorial golf tournament enjoyed perhaps the best weather in its history. It was like a whole weekend needed some kind of announcer to color commentate. It all put us in the mind of some of our favorite onscreen sports announcers.

5. Fred Willard, Jim Piddock: Best in Show (2000)

Christopher Guest’s drolly hilarious send up of dog culture gets, as is so often the case, splashes of lunacy from Fred Willard. In this case, his ignoramus color commentary during the Mayflower Kennel Dog Club Show opposite the perfectly dry Jim Paddock punctures the proceedings perfectly.

4. John C. McGinley: 42 (2013)

As famed sports announcer and voice of the Dodgers Red Barber, McGinley had big shoes to fill. His spot-on delivery added to the historical context 42 was hoping to articulate, and also pointed to Barber as an unflappable pro with a sense of humor and a fluid, soothing delivery.

http://www.youtube.com/watch?v=WEBPl-OxklU

3. Gary Cole/Jason Bateman: Dodgeball (2004)

The Dodgeball straight man/color commentary duo of Cotton McKnight (Cole) and Pepper Brooks (Bateman) from ESPN 8: The Ocho brought that classic bout of titans the gravitas it deserved. Bateman’s as over-the-top as he has ever been in his career, and consummate pro Cole hits dead pan gold as the play by play.

http://www.youtube.com/watch?v=84cwztN3nms

2. Bob Uecker: Major League (1989)

If there is one thing that makes Major League a timeless classic (it is, too!), it’s Bob Uecker’s hilarious play by play announcer. Fed up, feisty and probably drunk, his Harry Doyle kept the film’s pace high and the laughs continuous.

1. Bill Murray: Caddyshack (1980)

‘It’s in the hole!” Proving that he can do anything at all, Bill Murray puts tears in our eyes as assistant greenskeeper Carl Spackler, imagining his own Cinderella story of coming out of nowhere to win the Masters.

New In Theaters

Terrific Texas Trio

May 29, 2014 maddwolf 1 Comment

Cold in July

by Hope Madden

Pulpy, seedy and hot with hidden dangers, Cold in July is that uniquely Southern crime drama that moseys at its own pace as it unveils its lurid details.

Michael C. Hall turns in his Dexter lab coat in favor of a mullet and short-sleeved button down as Richard Dane, the Texan family man who startles a burglar and accidentally puts a bullet in his head.

Thus begins our investigation of Texan ideas of manhood.

Hailed a local hero, Dane is troubled by his own actions, but even more troubled when the dead boy’s ex-con father (a delightfully salty Sam Shepard) shows up looking for revenge.

Nothing’s as it seems in this twisty yarn that weaves through corruption, deception and the elusive honor in masculinity.

Here and in several other recent turns, Hall has proven a cagey character actor able to slip on the skin of wildly different characters and find an authentic human heartbeat. Shepard, a seasoned pro, also performs admirably, but both are routinely outshone by the sheer joyous swagger Don Johnson brings to his role as a flamboyant Texas P.I.

With Johnson comes some much needed wry humor. His character’s entrance also alters the trajectory of the story, and while the film benefits from the change of course, it also never fully resolves the questions brought up during its first act.

Paternal anxiety fuels the sometimes questionable decisions made by the threesome, and the sordid, conspiracy-riddled mess they find themselves in is pure Joe R. Lansdale (Bubba Ho-Tep!).

That great (and often mediocre) purveyor of pulp wrote the source material that’s adapted here by director Jim Mickle and his creative partner, co-star Nick Damici.

The duo have honed a storytelling style that never ceases to compel, with previous efforts (Stake Land and We Are What We Are, in particular) worth seeking out. This effort takes too long to find its path and its pace, feeling in the end like two separate films sewn together. Questionable character motives don’t help matters. But, together with a gripping trio of performances, the filmmakers have crafted a potent, unwholesome little thriller.

New In Theaters

No Badass is Safe

May 29, 2014 maddwolf 1 Comment

Maleficent

by Hope Madden

Hey, thanks a lot Wicked.

For those of us who love a good villain for their terrifying villainy, the popularity of the stage musical Wicked has created a bit of a problem: the neutering of the greatest of the greats. Gregory Maguire started it when he gave the Wicked Witch of the West a political backstory that exposed her self-sacrifice and good nature.

Now Disney wants to turn their greatest and most terrifying villain, Sleeping Beauty‘s Maleficent, into another role model.

Bah!

I’ll give them this. They can cast a lead.

Angelina Jolie has always cut an imposing, otherworldly figure, and Maleficent’s horns and leather look right at home. She offers the chilly elegance, dry humor and shadowy grace needed to bring the animated evildoer to life.

Plus, she looks great. And the film looks great – we’d expect nothing less from first-time director, longtime visual effects and set design maestro Robert Stromberg. But it’s not enough to save the effort.

The truly talented Elle Fanning struggles in an anemically-written role while Sharlto Copley flails, saddled with a character whose descent into madness is articulated with little more than overacting.

The basis of the problem is a toothless script by Linda Woolverton. Less the girl-power theme that elevated Frozen (another Wicked rip off) and more a bitter pill about untrustworthy men, the film feels mean in all the wrong ways. Woolverton’s also littered the enchanted landscape with forgettable or annoying characters – the three pixies of Disney’s ’59 animated film devolve from adorable, amusing pips to annoying, useless caregivers.

Stromberg’s plodding pace helps little. He forever undercuts any tension he builds, and the film suffers immeasurably from lack of momentum.

He and Woolverton could have learned a lot from the flawed but watchable Snow White and the Huntsmen (2012), a film that sought to update the old fable with a larger focus on its great villain without de-fanging her bite. Instead, Maleficent takes the very strongest element of the Sleeping Beauty fairy tale and weakens it.

Look out, Darth Vader. At the rate Hollywood is corrupting our great villains, you’ll be singing show tunes in no time.

New In Theaters, Slider

Shooting from the Lip

May 29, 2014 maddwolf Leave a comment

A Million Ways to Die in the West

by George Wolf

Picture Seth MacFarlane cracking wise as he watches an old western, and you’re probably not far from the inspiration for A Million Ways to Die in the West.

So how well do MacFarlane’s modern comedy cow patties work when dropped into a pasture of Old West cliches?

Pretty dang well, pardner.

MacFarlane, who co-writes and directs, also stars as Albert, a timid sheep farmer who’s brokenhearted over losing Louise (Amanda Seyfried) to the dashing Foy, owner of the town mustache emporium (Neil Patrick Harris).

Things start looking up when Anna (Charlize Theron) rides into town, and as she and Albert get friendly, Anna conveniently forgets to mention she’s already married to Clinch (Liam Neeson), the most feared gunslinger in the land.

With MacFarlane, you pretty much know what’s coming: cutaway gags to reinforce a line, toilet humor, and sex jokes (turned up a notch here by the always-demure Sarah Silverman as a town prostitute). But the film also has good fun with the historical setting, as Albert often reacts to his world like a wiseass who just arrived from the future.

Even so, MacFarlane is wise enough not to resort to outright mockery, always keeping the door cracked open just enough to let some homage shine through.

The chemistry between MacFarlane and Theron helps loads. You saw it when she helped him with a bit during his stint as Oscar host in 2012 and you see it here: they really like each other, and she thinks he’s really funny. Together, they’re a charming pair.

The middle suffers a bit from comedy drought, but the laughs come faster as Albert nears his final showdown with the evil Clinch. Expect a cast more than ready to poke fun at themselves, some very clever songs, a few inspired cameos and two extra scenes after the credits start rolling.

A Million Ways to Die in the West is a big, broad idea that’s thrown on the screen with more frenzy than focus. But will you laugh?

Darn tootin’.

Outtakes

They’re Bad, They’re Nationwide

May 26, 2014 maddwolf Leave a comment

This weekend, Angelina Jolie gets the chance to prove her worth as she brings the best animated villain – Sleeping Beauty’s Maleficent – to life. Among the greatest villains of all time, Maleficent shines brightest even among Disney’s early, magnificent villain output. And that drag she can turn into?! Get out!

It put is in the mood to celebrate cinema’s great villainy with a countdown of the 15 best villains in film.

15. Pinhead

Hellraiser in 1987 might have been a forgettable Eighties horror flick were it not for the imagination of Clive Barker, whose sado-masochistic Cenobites journeyed from hell at curious humans’ mistaken request. Chief among them, the elegantly sadistic Pinhead strikes quite a figure with his leather and perfectly placed metal.

Quote: The box. You opened it. We came.

14. Max Cady

Whether Robert Mitchum in 1962 or Robert DeNiro in 1991, this tattooed, backwoods psychopath leaves an impression and a cloud of cigar smoke.

Quote: Come out! Come out wherever you are!

13. Urusula

One of the reasons Disney bounced back from decades of anemic cartoon output with their 1981 Hans Christien Anderson reboot The Little Mermaid was that they finally remembered the value of a good villain, and the sinister, baritone sea-witch Ursula fit that bill.

Quote: Come in, my child. We mustn’t lurk in doorways, it’s rude. One might question your upbringing.

12. Buffalo Bill

The Silence of the Lambs was the most honored, most celebrated film of 1991, and yet the miraculous Ted Levine went strangely unnoticed. Dr. Lecter was not the only figure to terrify us in the film, and Levin’s savage menace perfectly offset Lecter’s cool headed danger.

Quote: It rubs the lotion on its skin. It does this whenever it is told.

11. Keyser Soze

This one actor managed to play two different iconic, anonymous killers in 1995, establishing an award-winning career that has bloomed again just recently. The Usual Suspects spins a yarn about a puppet master boogeyman who is everywhere, controls everything, and is willing and capable of doing anything.

Quote: Who is Keyser Soze?

10. Samara

Gore Verbinski’s 2002 J-horror remake The Ring opened a genre floodgate with dozens of immediate copycats. His skill as a director and his cast certainly helped, but it was the terrifying central villain – the shadowy, sinister, wet and slimy cherub Samara in the well – that made the lasting impression.

Quote: Everyone will suffer.

9. Cruella de Vil

Disney’s 1961 animated puppy-napping tale was hardly one of their finest efforts, but it did boast one of Walt., Inc’s wickedest villains. Bony, pasty and brandishing a cigarette in a long, sleek holder, Cruelle de Vil epitomized the evils of money. Sort of an early Monty Burns, if you will.

Quote: I worship furs! Is there a woman in this wretched world who doesn’t?

8. Anton Chigurh

Javier Bardem spooky, tenacious psychopath in No Country for Old Men had such a magnificently twisted sense of purpose, you almost admired him. As long as he wasn’t looking for you.

Quote: What’s the most you ever lost in a coin toss?

7. Hans Gruber

Alan Rickman did every bit as much to make Die Hard the unforgettable Christmas romp as Bruce Willis. Ever the disdainful straight man to John McLane’s walkie-talkie wise cracker, Rickman brought an irritated elegance to the role of mastermind.

Quote: Do you really think you have a chance against us, Mr. Cowboy?

6. Wicked Queen

Walt Disney understood the relevance of a good villain perhaps better than any filmmaker of his time, and he proved that right from the get go. Snow White’s ageless Wicked Queen and her bulbous-eyed old hag alter ego both remain the best reasons to dust off the old 1937 classic.

Quote: Wait til you taste one, dearie. Like to try one?

5. The Joker

The Joker is a great villain regardless of the actor, but in 2008, Heath Ledger took ownership of the role. Dangerous, charismatic, darkly unpredictable, he wasn’t interested in money or power, just chaos. It was a terrifying, sinister place he took the evil clown, and the role will never be the same again.

Quote: I’m not a monster. I’m just ahead of the curve.

4. Maleficent

Jolie has big shoes to fill, taking on the character that, let’s be honest, is the only reason to sit through Disney’s 1959 animated flick. All angles and cloaks, she’s seriously evil. She casts a spell of death, then turns into a dragon and calls on the powers of hell. Of hell! In a Disney movie. That’s hard core.

Quote: Why so melancholy?

3. Hannibal Lecter

Anthony Hopkins’s restrained, poised, well-postured psychopath offered the kind of chilly, flesh-crawling terror we hadn’t really seen before 1991’s The Silence of the Lambs. Never flamboyant or showy, the performance felt genuine, which made it that much more terrifying. He was a brand new kind of nightmare, one who was way smarter than you and had a taste for flesh.

Quote: Ready when you are, Sergeant Pembry.

2. Darth Vader

At this point in history, it’s as if Darth Vader has always existed, but in 1977 – holy shit! That voice and that crazy breathing thing,the cloak and the helmet – coolest looking villain ever! Was he a dude? Was he a machine? A dude with a machine for a head? The Dark Lord was such a unique, powerful villain. James Earl Jones can make any dialogue sound important and impressive, meanwhile, David Prowse’s imposing physicality gave him the presence of a dark god. And a franchise was born.

Quote: Don’t underestimate the Force.

1. Wicked Witch of the West

It’s tough to top Darth Vader and Hannibal Lecter, but Margaret Hamilton did it. Her iconic look served her beautifully in the jazz-hands glamour of Oz. She looked amazing, plus she had flying monkeys to do her bidding! She was a glorious image of evil, and because she was in relentless pursuit of a little, lost girl, she became the stuff of nightmare for generations of children.

Quote: I’ll get you, my pretty!

New In Theaters

Put That Popcorn Down!

May 23, 2014 maddwolf Leave a comment

Fed Up

by Hope Madden

Today’s children will be the first generation with a shorter life expectancy than their parents.

With that sobering piece of information, Katie Couric and director Stephanie Soechtig explore America’s obesity problem, poking holes in conventional wisdom and exposing a culture far more concerned with profit than with our kids’ life expectancy.

Despite our culture’s twisted fascination with thinness, the market saturation of fitness products and low-fat food alternatives, and a First Lady committed to getting our kids in shape, America still leads the world in obesity and diabetes. According to this documentary, the numbers will only keep growing.

Likening the American food industry to the tobacco industry of just a few years ago, Fed Up points to a willful, frighteningly slippery misinterpretation of facts, burying of evidence, and corporate spin to account for our catastrophic rise in obesity rates.

First of all, Couric and Soechtig, along with a host of nutritionists, doctors, scientists, and Bill Clinton, want you to understand that the old adage that to lose weight you need to take in fewer calories and burn more calories is nonsense.

I know!

But they systematically point to evidence of cause and effect to actually back up their claim, and then they go on to unveil the corporate wheeling and dealing, governmental complicity and savvy marketing that has turned unprecedented numbers of our elementary school children in to diabetics.

The film is startlingly eye-opening, even for those who consider themselves fit.

Though her film is a well crafted, truly effective call to action, Soechtig missteps here and there.

Surprisingly, though Soechtig spends plenty of time on the almost oppressive availability of junk food – a fact that makes breaking the sugar habit potentially impossible for children and adults – she never really talks about the role convenience plays in our eating habits.

She also, and rightly, points to the fast food and soda conglomerates’ hold on our public school cafeterias as the younger generation’s involuntary indoctrination into a life of awful eating habits. She suggests we all call our principals and tell them to turn down junk food money. Maybe instead she should tell us to vote for some levees so our public schools wouldn’t be so desperate for funding that they get into bed with Pizza Hut, Coke and McDonalds.

Faults aside, the expose that emerges is one with unfiltered, confrontational information to share. It’s not infotainment, but a call to action, and one that we truly must heed.

http://www.youtube.com/watch?v=KNqymWYB-18

New In Theaters

Portrait of a Lady

May 22, 2014 maddwolf 1 Comment

Belle

by George Wolf

A scandalous affair. An innocent child. A society obsessed with money, power, and its own prejudices.

Belle is the latest historical drama to remind us that sometimes, the past looks pretty familiar.

It’s based on the true story of Dido Elizabeth Belle, born in the 1700s as the bi-racial daughter of a slave and an Admiral in the British Navy. She was raised by members of her father’s aristocratic family, standing alone as an anachronistic mix of wealth, prestige, and brown skin.

Actually, the story of how writer Misan Sagay came to find Belle could be a movie in itself.

Inspiration leapt from a painting of Belle and her cousin, Lady Elizabeth Murray, that Sagay (who adapted Their Eyes Were Watching God for TV) encountered while in Scotland as a college student. After years of research, Sagay’s screenplay mixes fact with poetic liberties to make Belle’s story truly compelling.

The cast is letter-perfect. In the lead, Gugu Mbatha-Raw delivers a breakout performance, infusing Belle with an effective mix of intellect, wonder, spirit and hurt. As family patriarch Lord Mansfield, Tom Wilkinson is…well, Tom Wilkinson, an actor who’s seemingly impervious to missteps.

Director Amma Asante not only gives the film a fitting majestic sheen, but delicately balances Jane Austen-style period romance with serious social commentary and historical heft. At times, Belle flirts with overplaying its hand on both fronts, but Asante displays fine instincts for restraint before the storytelling takes too obvious a turn.

It is a fascinating story and a completely satisfying film. When Asante finally throws her trump card and you glimpse the inspirational portrait, it’s clear that, whatever barbs historians may throw, they can’t keep Belle from hitting a bullseye.

New In Theaters, Slider

Benefitting from Low Expectations

May 22, 2014 maddwolf Leave a comment

Blended

by Hope Madden

In 1998, Adam Sandler, Drew Barrymore and director Frank Coraci made The Wedding Singer, one of Sandler’s more charming comedies. While Barrymore’s meandering career path has had its hits and misses since then, Coraci’s films have gotten progressively worse. Meanwhile, Sandler’s produced two Grown Ups installments, Jack and Jill, and That’s My Boy, among other affronts to both cinema and good taste.

Can a reunion with the romantic lead and creative drive behind an earlier, moderately enjoyable film rekindle enough chemistry to craft another passably entertaining flick?

Almost.

The group reunites for Blended, an impossibly contrived mash-up of The Parent Trap and Sandler’s 2011 debacle Just Go With It.

Sandler plays Jim, the schlubby but loving widowed father of three girls. Barrymore is Lauren, divorced mom to two boys. As the film opens, Jim and Lauren are on a blind date. They do not like each other at all.

I know – where could this possibly be going?

Do you suppose Jim’s daughters need a make-over…er…I mean mother?

And what about Lauren’s boys? Who will teach them to hit a baseball?

But wait! What if both families wind up accidentally sharing a suite in a South African resort – and during that resort’s Blended Families Celebration?

Do you believe in magic?

If you look beyond the ludicrous premise, and the themes that were relevant in the Seventies, and if you’re not too bothered by the mildly racist depictions of the hotel staff…all right, it’s no gem, but it’s no Jack and Jill, either.

Barrymore’s effortless likability helps a lot, as do relatively sharp cameos from Kevin Nealon, Wendi McLendon-Covey and Jessica Lowe.

Perhaps more importantly, there are no cameos from David Spade, Kevin James or Rob Schneider, so we can at least be thankful for small mercies.

You won’t laugh, but you might offer an anemic chuckle here and there. The film’s heart seems to be in the right place, more or less.

Seriously, did you see Jack and Jill? It’s really hard not to be grateful for Blended.

http://www.youtube.com/watch?v=DPsBx82FN78

Outtakes

Cbus Filmmaker to Premiere Short at Gateway

May 20, 2014 maddwolf Leave a comment

by George Wolf

As Ali Milo prepares for the debut of My Being is Bond, his first filmmaking effort, he talks about the inspiration that drove the project.

“I wanted to make a film that shows what Columbus, Ohio can locally produce. I also wanted to make a soundtrack to accompany the film that features local artists in different genres like rap, R&B, and spoken word. Inspiration comes loosely from my life and the circumstances and realities that many young African Americans deal with, not only in Columbus, but wherever they might be.”

My Being is Bond, written and directed by Milo, will premiere Tuesday, May 27th at the Gateway Film Center. The film follows Darren Hill (Anthony West), a young man facing various pressures in life who suddenly has an epiphany about his future.

Milo is a Columbus native with degrees from both Full Sail University (a music and entertainment school in Florida) and Ohio State. He found his actors by posting notices at various places around Columbus, as well as online, and then holding auditions to make his final selections. Milo displays a nice touch with his inexperienced cast, and West shows some raw, natural acting ability in the lead role.

The premiere event will begin at 7pm, will a brief introduction from Milo. He will also conduct a Q&A session following the 35-minute film. Tickets are $10 and can be purchased online at https://www.movietickets.com/purchase/perf_id/741552314 or at the theater. More information can also be found on the film’s Facebook page.

Maddwolf

Beautiful Losers for Your Queue

Countdown: The Best Sports Commentators on Film

5. Fred Willard, Jim Piddock: Best in Show (2000)

4. John C. McGinley: 42 (2013)

3. Gary Cole/Jason Bateman: Dodgeball (2004)

2. Bob Uecker: Major League (1989)

1. Bill Murray: Caddyshack (1980)

Terrific Texas Trio

Cold in July

No Badass is Safe

Maleficent

Shooting from the Lip

A Million Ways to Die in the West

They’re Bad, They’re Nationwide

Put That Popcorn Down!

Fed Up

Portrait of a Lady

Belle

Benefitting from Low Expectations

Blended

Cbus Filmmaker to Premiere Short at Gateway

Hope Madden and George Wolf … get it?