Tag Archives: Joan Allen

No Room for Improvement

Room

by Hope Madden

There is something miraculous about Room.

The film drops you into a world you would be hard-pressed to even imagine and finds a story that is both bright and beautiful despite itself. It’s the story of a young woman, held captive inside a shed, and her 5-year-old son, who’s never been outside of “room.”

Never lurid for even a moment, both restrained and urgently raw, the film benefits most from the potentially catastrophic choice to tell the story from the child’s perspective. And here is the miracle of Room: without ever becoming precious or maudlin or syrupy, with nary a single false note or hint of contrivance, the boy’s point of view fills the story with love and wonder. It gives the proceedings a resilience, and lacking that, a film on this subject so authentically told could become almost too much to bear.

Director Lenny Abrahamson (Frank) creates yet another meticulously crafted, lived-in world – a world that should look like nothing we have ever seen or could ever imagine, and yet manages to resonate with beautifully universal touches. He is absolutely blessed with two magnificent leads and one wonderful supporting turn.

The undeniably talented Brie Larson gives a career-defining performance as Ma. On her face she wears the weariness, desperation, and surprising flashes of joy that believably create a character few of us could even imagine. She conjures emotions so tumultuous as to be nearly impossible to create, but does it with rawness that feels almost too real.

Veteran Joan Allen is the normalizing presence, and her characteristically nuanced turn gives the film its needed second act emotional anchor.

Surrounded as he is by exceptional talent, it is young Jacob Tremblay who ensures that the film won’t soon be forgotten. Where did Abrahamson find such a natural performer? Because an awful lot rests on those wee shoulders, and it’s the sincerity in this performance that keeps you utterly, breathlessly riveted every minute, and also bathes an otherwise grim tale in beauty and hope.

There is no other film quite like Room.

Verdict-5-0-Stars

Calling Dr. Phil

 

A Good Marriage

by George Wolf

 

The last time Stephen King wrote a screenplay the results were, to be polite, disappointing. The film was Sleepwalkers and to be impolite, it sucked out loud.

But hey, that was 22 years ago, so let’s forget about the past and focus on how much better his latest screenwriting project turned out. With A Good Marriage, King expands his own short story into an intimate, no frills feature built on love, secrets, sex and murder.

Anthony LaPaglia and Joan Allen are Bob and Darcy, a longtime couple who are still plenty hot for each other, and who have the type of marriage others point to as being ideal.

The situation around their New Hampshire home is a bit more troubling. There is a serial killer in the area, and though news reports of the latest victim dominate the evening news, Bob and Darcy have family matters to attend to.

Their daughter’s wedding is at hand, and after the happy day, Bob leaves on a business trip. Alone in their big house, Darcy is tackling some household errands when she happens upon a secret stash of evidence that undoubtedly links her loving husband to a very dangerous double life.

From there, King and director Peter Askin have some fun with the thriller genre, leaving you unsure just how much of Darcy’s life with her now-suspicious husband is really happening. As you might expect, the two veteran leads take full advantage, with Allen especially delivering a rich performance that effortlessly swings between domestic bliss and survivalist cunning.

Scene-stealing honors go to Stephen Lang (Avatar) as an old-time detective tracking the killer. King gives him some juicy dialogue, and his scenes with Allen display a delicious back and forth tinged with a darkly comical mutual admiration.

In fact, it’s a shame A Good Marriage doesn’t explore its wickedly humorous edges more completely. It could have beefed up a story that’s stretched thin at times, and ridden three fine performances to even higher ground.

 

Verdict-3-0-Stars

 

 

http://www.youtube.com/watch?v=pP9-6F3HMfI